From Russia with love

Last Saturday we had a rather special zoom meeting between Sahar Salha's class at the Elementary co-ed “A” UNRWA school in Beit Hanoun, Gaza and Alex Guzik's class of kids in Krasnodar, Russia.It started with the Russian children performing their own excellent interpretation of the traditional Palestinian story, The Farmer who followed his dream.

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Send in the clowns

A few weeks ago I was one of the speakers at the IATEFL Pre-conference event organised collaboratively by the C Group and the Global issues special interest group. Towards the end of the day we were given a talk by Julie Pratten about her project Heart ELT which has set up a school in a refugee camp in Iraq. At the beginning Julie gave us all a blank postcard and told us that we would be doing something with it later. As she approached the end of her talk she asked us to use the postcard to write a message to the children in the camp.

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Bringing stories to life

Most of what I'm doing in my online sessions with kids uses material from here but this week I want to focus on something a bit different. One area of storytelling that I haven't really looked at so far with these posts is working with picture books. With very young learners especially, I've often felt that if all teachers ever did was tell their kids stories from these books, then something very useful would be going on.

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Tense conversations

Most of the Hands Up Project's work is with younger learners in Gaza but I also have a group of teenage boys who live in a village near Ramallah with whom I do a weekly session. In the beginning I found it difficult to organise online classes that really addressed this group's needs, but, in consultation with their teacher Atiyyeh, a way of working has emerged which seems to be much more useful.

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Storified drilling

Drilling is often criticised for being an old fashioned, teacher controlled activity with minimal cognitive challenge for learners. But the central idea behind it – that of pushing learners to process and reproduce a stretch of spoken language after a model from a more advanced speaker - can, in my opinion, be a very useful component of good teaching.

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Thanks for the memory!

As a teacher and teacher trainer, this has been an area of interest of mine for a long time, and it's something that I thought about a lot when I was writing Memory Activities for Language Learning. In my talk I'm going to be focussing on the conflict that exists between teacher training programmes and exam systems in many parts of the world

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The end of the story..

Endings are tricky for me. When I get to the end of telling a story, I can feel quite uncomfortable, and I'm never really sure whether to just pause, or to say something like 'And that's the end of the story' or 'And they all lived happily ever after'.When we're using stories for language teaching (or indeed for any other purpose) that could be all that is necessary of course; we could just leave the story to do its work on its own.

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In search of an audience

Usually when I write this weekly blog post I share it first with the various Palestinian teacher and teacher trainer groups that I belong to on Facebook, before sharing it elsewhere. I do this because it is this kind of audience that this blog is intended for. I want this to be a space where teachers who work in contexts like these can get new ideas, where they can download resources, and where they can discuss and share ideas about what happens in their own classes.

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The spaces in between

Two weeks ago I wrote a post called 'The Game of Jewels' about the strength of activities like Kim's Game, which emphasise the importance of noticing and retrieval. I said that most of my favourite things to do in class are really just adaptations of Kim's Game so, as promised, here's a version which uses the same principles, but which is more suited to teenage learners.

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Drama with a small 'd'

Sometimes when we think of drama we think of Shakespeare, or we think of complex archaic language, or we think of struggling to feel the motivation for a particular line, or if, like me, you went to primary school in Britain in the 1970's, you may think of standing for what seemed like hours and being a tree!But drama as a tool for teaching English as a foreign language to young learners can be a much more straightforward and down-to-earth matter.

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And the moral of the story is....?

As human beings we are programmed to make sense of the world around us through stories. In some format or other, telling or listening to stories is a principle part of the way we interact with others on a daily basis. Because of this, in homes and more formal educational settings alike, stories have been used to teach things to children since the beginnings of human speech, and all of the major religions of the world have used stories and storytelling as a way to put complex ideas into a format which is simple, accessible and inherently memorable.

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From emergence to resurgence

With rather limited success, I've been trying to learn Levantine Arabic, and over the past year I've probably had about ten one-to-one classes with a Jordanian friend who lives here in Totnes. Saif is an excellent teacher. One thing I particularly like is that he allows me as the learner to control the content of what we talk about in the classes, whilst he supplies me with the language I need to express the things I want to say.

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Rhythm helps your two lips move

One thing about chanting is that is encourages use of connected speech: it challenges learners to speak in chunks, rather than in isolated words. This is a central idea of the Lexical Approach. When chanting words flow into each other, and pauses occur naturally between chunks of language, rather than after each word (as often occurs in the speech of beginners).

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Secure Listening

I've just come back from a very fulfilling week in Occupied Palestine, running a course called, Teaching English through Stories with a group of teachers from Gaza, Hebron and Ramallah. We worked with big story books for young learners which are part of the British Council's Kids Read programme, and also with the Stories Alive material for slightly older learners.Throughout the course the participants planned and delivered a range of micro-teaching sessions which incorporated stories into their curriculum. They did this in ways that were engaging, creative and, above all, fun.

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Picture Dictations

Last week I was looking at how talking with children about the pictures they've drawn can be a useful thing to do in a classroom. This week I want to explore a slightly more structured activity which works with this idea.The picture dictation has become a classic language teaching activity. I can't remember where I first heard about but I've been using it ever since I first started teaching more than 25 years ago.

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Every story paints a picture

In the course of my career, I've been lucky enough to observe a vast number of language teachers in many different contexts, and many of the things that I do as a teacher, or teacher trainer, are things that I learnt whilst watching other teachers at work. This week I want to explore a very simple but effective activity for working with young learners, which I first saw when observing Maha Sharba’s class at the Arabic club for kids in London.

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