From Displacement to Creativity: Inside Our Cairo School

The Hands Up Project school in Cairo was first started by Donna Campbell, who planted the seeds of this special learning space during her time in Egypt. Her work laid a foundation of care, creativity, and connection that continues to grow.

Another special person who has made a big impact is Brooke. She has visited the school many times, bringing joy, kindness, and much-needed supplies to the children. Whether playing games, lending a helping hand, or simply spending time with the students, Brooke’s presence has been a source of warmth and support. Her dedication reminds us that small acts of compassion can create lasting memories and real change.

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A Bridge of Stories, A Journey of Hearts by Manuela & Lamya.

A Bridge of Stories, A Journey of Hearts by Manuela & Lamya Some stories begin not in the classroom, but in the quiet spaces of kindness. That’s how I met Lamya not as a fellow teacher, but as a sister in compassion. Later, we met again — this time, around a Zoom screen. Lamya was supporting her girls in a project with Haneen and the British Council. I was only there to guide them gently through a couple of rehearsals. They needed very little. Their talent and preparation were already shining through. Still, it felt like something had taken root between us. So when Lamya and I spoke about bringing storytelling into her class in Hebron, it felt completely natural. Like picking up a thread we had already begun to weave.

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From Zero to Hero: Creativity in Crisis

In a Gaza school now used as a shelter, teacher Sahar is leading a powerful initiative called From Zero to Hero. Three times a week, she gathers with displaced children to learn, play, and write — creating a safe, hopeful space in the middle of hardship.

These sessions are about more than education. They are about healing, expression, and resilience. Through storytelling, games, and creative writing, children are reminded that their voices still matter, even when everything around them feels uncertain.

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They’re windows into worlds. 🌍✨

At the Hands Up Project, link-up sessions aren’t just classes—they’re windows into worlds. Over the past weeks, our incredible volunteers and Palestinian teachers have turned screens into spaces of laughter, learning, and cross-cultural magic. Here’s a glimpse of the joy unfolding:

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Building Bridges with Words

Building Bridges with Words: Our Inspiring Partnership with the Hands Up Project

At Inspired Kids and Inspired CPD, we believe in the power of connection and the transformative potential of creative expression. For us, it isn’t just about learning English. That's why our partnership with the Hands Up Project has been such a rewarding journey, enriching the lives of our students in Taiwan in profound ways.

Our collaboration has blossomed into a vibrant exchange of creativity and understanding. From the heartfelt poems penned by our students in "Together on Golden Sands" to the engaging remote theatre and poetry sessions that some of them took part in, as well as the dynamic drama-infused summer and winter camps, our collaboration has opened up new worlds for our young learners.

Therefore, "Together on Golden Sands" is more than just ink on paper; it's a testament to the bridges built through language and imagination. Within its pages, the voices of young Taiwanese children resonate, demonstrating the incredible capacity of foreign language learning to foster a genuine connection with the wider world. These poems offer a unique window into experiences far removed from their own, nurturing empathy and a deeper understanding of different perspectives.

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Nick BilbroughComment
Pilgrimage for Palestine

Pilgrimage for Palestine hit London Parliament Square on a hot 30th March at 2pm. There was amazement and some tears as we paused in Hyde Park, after thirteen days of walking, talking, poetry, generous hosts, massive support, huge donations, canals, rivers, injury, iftar, mild disagreement, rapture, waking every day at 3.30am.

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The writing's on the wall...

’ve just returned from the National Education Union’s annual conference in Harrogate in the north of England, where the Hands up Project had a stall selling our books, showcasing our new exhibition ‘Oh big blue’, and encouraging teachers to get involved in our work.

One of the topics that was hotly debated at the conference was how inspection bodies like Ofsted place very little emphasis on creativity when they are inspecting schools, instead only looking at exam results and achieving targets and aims for each term.

At the Hands up Project, in contrast, we’ve always placed a huge amount of value on the creative work of our children, and we’ve always done our best to share this work as widely as possible. We do this because we know that creativity is such an important element in learning a language, but also because we know that it boosts the children’s self esteem so much to know that their work is being seen, heard and read.

Yesterday morning we did a live link to our educational space in Cairo and teachers at the conference were able to meet some of our Palestinian children there, and hear them read their poems.

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Our Time to Break Silence

On April 6, 2025, I took part in Our Time to Break Silence—a public reading of Dr. Martin Luther King, Jr.’s Beyond Vietnam: A Time to Break Silence. The program was held at Monroe Street United Methodist Church in Toledo. I served as chair of the storytelling committee and represented The Hands Up Project.

But what moved me most was curating the art exhibition Moon, Tell Me Truth.

The exhibition featured stories, poems, and short plays created by young people in Gaza. These pieces were written during the current genocide. Some told of fear. Some of love. Many carried questions no child should have to ask. But all of them reached for something higher—hope, dignity, truth.

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Nick BilbroughComment
Tell it from your face!

When my eldest son, Andre was a toddler (I can’t believe he’s 29 years old now!!) like lots of dads, I used to read him bedtime stories. I remember once asking him if he wanted a story from a book and him replying with these words.

I guess he felt like he’d be more interested in the story if he could follow it through my facial expressions and gestures. He probably also felt like it was a way of feeling closer to his dad.

Those words have always stuck in my head - especially when I’ve been doing storytelling, and especially when thinking about how we interact in our online link up sessions in the Hands up Project.

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The magic of word cards

Word cards are a very simple device for building up a repertoire of spoken vocabulary. All that is needed is some slips of paper with the words in English to be learnt/reviewed on one side and the equivalent L1 translation written on the other side.

The basic idea is that students use them to learn words in English. They can do this receptively first by looking at the English word, trying to say what it means in Arabic, and then turning it over to check. Then they can do it in a more challenging way by looking at the L1 equivalents and trying to say the English version.

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Slow-release learning: playing with language through playscripts

At the Hands up Project we’ve been supporting Palestinian children to learn the lines of short plays in English for a long time, and we’ve written posts about the benefits of doing this on our blog several times already. But with the recent excellent production of ‘The Screen’  - by Alma, Leen and Salma at the Hands up school in Cairo (watch it below) - I’ve been thinking a lot about another useful thing that can happen when students learn the lines of a play in a second language.

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Hitting the ground running – our second week in Cairo!

In our second week, I can sense the confidence of both students and teachers growing. I include teachers here because this is the first time we’ve worked together, blending the Palestinian curriculum with creative activities. This week, I’ve peppered the lessons with games and activities—TEFL classics like Two Truths and a Lie, charades, Pictionary, quizzes, role plays, and paired speaking exercises. The verdict? They love them! These activities are fun, interactive, and energising for everyone. 

 This is also my first time teaching classes using a Hands Up approach, incorporating theatre, poetry, and highly creative activities. I’m learning as I go, diving into the HUP archives and weaving in as many ideas as I can while balancing time for the curriculum. I’m happy to admit this because I believe the best classes are often spontaneous and student-led. I don’t come in with rigid expectations; instead, we’re all exploring together. My main goal is for students to speak as much English as possible—in a fun, engaging, and creative way.  Of course, I’m super lucky and grateful to have Raja’a so close by who’s always happy to lend a hand, give advice or have a natter about the world.

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it will be over soon - intercultural remote theatre version

The play ‘It will be over soon’ was originally created and performed by Hanaa Mansour's students in the "Better Together" drama club in Jabalia, Gaza in April 2024. (see the original version here) This blog post is by long term Hands up Project volunteer, Tere and it’s about how a group of children from around the world re-performed it as part of our intercultural remote theatre course in the summer. Over to you Tere!

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Plunging into Action: The Birth of the HUP Cairo Initiative!

I can hardly believe we're only one week into our small Cairo project—it already feels like I've been here for ages! To keep you all updated, I'll be posting a brief blog each week. For those who don't know me, I'm Donna. Originally from Leicestershire, UK, I’ve most recently been living on a small regenerative market garden in Hempnall, South Norfolk. I wear a few different hats: I'm a co-director of the market garden project, a clinical support specialist in the operating theatre, and I volunteer with various refugee initiatives. In the past, I’ve also taught English as a foreign language to children and university students across Spain, among other diverse pursuits. All of this led me to Cairo, where I’m now embarking on this exciting new chapter as a volunteer.

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The 2024 Hands up Project Poetry competition.

So please respond to either (or both) of the paintings with your poetry, and decorate your handwritten poem with drawings or designs of your own. Please be under 18. And please make sure your poem is a maximum of 50 words. And remember, the painting is meant to set free your imagination, not tie it down. You can make your connection to the painting in the most surprising ways. The deadline for submissions is Friday 6th December 2024. Please send us a photo of your handwriiten poem to info@handsupproject.org

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Becca's intercultural conversation course

In July and August, 2024, the Hands Up Project held a six-week Conversation Course that gave students and volunteers a chance to discuss a variety of topics. The students themselves chose the topics, which included world events, culture, sports, and technology. Each week the students also shared ways they were working to improve their English. The course was attended by a total of 25 students with the participation of 10 volunteers. 

Below are reflections from two of the students, Thoraya and Mohammed, sharing their experiences in the course:

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Lemon and mint in Gaza now

All of these performances make me feel immensely proud of what we have achieved in Hands up over the years. But this is nothing compared to the feelings I have watching the videos of the rehearsals of ‘Lemon and Mint’ which are being done in Gaza right now. Despite everything, English teacher Muneera has managed to put together another version of Lemon and Mint, performed in a garden in Gaza. The final performance will be ready soon but in the meantime here are some short videos of some of their rehearsals.

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